www.ricardosilvestrin.com.br<\/a>. <\/p>\nDo texto da orelha: “Se sabe que o haikai \u00e9 an\u00e1logo \u00e0 fotografia. Porque \u00e9 uma imagem, porque \u00e9 conciso, porque \u00e9 a\u00e7\u00e3o no contexto. Poesia, sutileza e movimento de uma s\u00f3 vez. Mas e do ponto de vista do haika\u00edsta? O que cria esse olhar de haijin? Seriam fot\u00f3grafos do texto? Para isso, todo o nosso aparato corporal que produz o olhar funcionaria como uma c\u00e2mera escura na cabe\u00e7a do haijin. Onde qualquer um v\u00ea o todo, o haijin capta o detalhe, codifica o ponto m\u00ednimo, o diafragma produz uma abertura na mente. Porque l\u00e1 dentro de sua cabe\u00e7a o detalhe se amplia, dignifica, significa. A cena se projeta invertida no c\u00e9rebro, sendo codificada e traduzida em poucas e exatas palavras. Talvez n\u00e3o seja \u00e0 toa que o haikai tenha nascido no Jap\u00e3o, onde a escrita segue a dire\u00e7\u00e3o inversa do Ocidente. Mas se o haiku \u00e9 an\u00e1logo \u00e0 fotografia, ler um livro de haikais \u00e9 mergulhar num \u00e1lbum”.<\/p>\n
Amostras:<\/p>\n
a cigarra serra a tarde
\nao meio, madeireira
\nda rua onde nasci<\/p>\n
nem \u00e1gua nem som
\na chuva come\u00e7a
\npelo cheiro<\/p>\n
o clima n\u00e3o se decide
\nl\u00e1 vou eu
\no homem cabide<\/p>\n
flores de pano, frutas de cera
\nmas a primavera
\n\u00e9 sincera<\/p>\n","protected":false},"excerpt":{"rendered":"
Pr\u00eat-\u00e0-porter Ricardo Silvestrin Colet\u00e2nea de haicais (78 haicais). Texto da orelha de Estrela Ruiz Leminski. Cont\u00e9m nota bio-bibliogr\u00e1fica. Porto Alegre, Artes & Ecos, 2017, 90 p\u00e1ginas, 11cm x 15cm. ISBN 978-85-93459-02-3. Contato: www.ricardosilvestrin.com.br.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"class_list":["post-2031","post","type-post","status-publish","format-standard","hentry","category-estante"],"yoast_head":"\n
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