{"id":285,"date":"2009-07-11T11:49:00","date_gmt":"2009-07-11T13:49:00","guid":{"rendered":"https:\/\/kakinet.com\/test\/?p=285"},"modified":"2010-12-23T18:50:22","modified_gmt":"2010-12-23T20:50:22","slug":"haicais-em-dicionario-guarani-portugues","status":"publish","type":"post","link":"https:\/\/www.kakinet.com\/cms\/haicais-em-dicionario-guarani-portugues\/","title":{"rendered":"Haicais em dicion\u00e1rio guarani-portugu\u00eas"},"content":{"rendered":"

por <\/span>Jos\u00e9 Marins<\/a> <\/span><\/span><\/p>\n

A escritora Cecy Fernandes de Assis, acaba de lan\u00e7ar a 2\u00aa. edi\u00e7\u00e3o do seu Dicion\u00e1rio Guarani-Portugu\u00eas\/Portugu\u00eas-Guarani. Com 954 p\u00e1ginas e pesando 1300 gramas, o dicion\u00e1rio traz 18 mil verbetes. Al\u00e9m disso, cerca de 30 haicais comparecem nas exemplifica\u00e7\u00f5es, traduzindo o gosto da autora por essa forma po\u00e9tica. A obra \u00e9 fruto de longos anos de estudo e pesquisa, iniciados com o Projeto Karumbe (<\/span>produ\u00e7\u00e3o de material did\u00e1tico em portugu\u00eas\/guarani para aldeias do Mato Grosso do Sul, entre 1988 e 2003). Cecy, escritora prof\u00edcua, n\u00e3o s\u00f3 investe em pesquisa como estudou as l\u00ednguas inglesa e japonesa e nos surpreende com a seguinte afirma\u00e7\u00e3o: “a estrutura do guarani tem semelhan\u00e7a com o japon\u00eas. Facilita o entendimento desta \u00faltima”. Isto pode ser um bom motivo para o interesse de estudos haica\u00edstas da l\u00edngua guarani.
\n<\/span><\/span><\/p>\n

Ao buscarmos detalhes sobre como isto seria, a professora nos esclarece:
\n<\/span><\/p>\n

“Exatamente a mesma n\u00e3o \u00e9. Como todas as l\u00ednguas h\u00e1 semelhan\u00e7as e diferen\u00e7as. O fato que mais chama a aten\u00e7\u00e3o \u00e9 que japoneses, coreanos e chineses aprendem o guarani rapidamente e com apenas dois meses de contato j\u00e1 o falam com flu\u00eancia”. <\/span>
\n<\/span><\/p>\n

Segue-se uma exemplifica\u00e7\u00e3o esquem\u00e1tica dos paralelismos, fornecida pela autora, especificamente para os casos dos guaranis \u00d1andeva, Paraguaio, Caiu\u00e1 e Mbya (este dois com algumas diferen\u00e7as). Japon\u00eas e Guarani s\u00e3o l\u00ednguas aglutinantes que combinam v\u00e1rios elementos de significado distintivo em uma s\u00f3 palavra.
\n<\/strong>
\n<\/span><\/span><\/p>\n

Exemplo de aglutina\u00e7\u00e3o em guarani: ipojoj\u00e1va \/ justo.
\n<\/span><\/p>\n

i = part\u00edcula da terceira pessoa que supre o verbo ter.
\n<\/span><\/p>\n

po = m\u00e3o.
\n<\/span><\/p>\n

joja = igual.
\n<\/span><\/p>\n

va = que.
\n<\/span><\/p>\n

Ipojoj\u00e1va = que tem a m\u00e3o igual\/justo.
\n<\/span><\/p>\n

Exemplo de aglutina\u00e7\u00e3o em japon\u00eas: <\/span>\u4e09\u5473\u7dda<\/span>: shamisen ou sangen \/ tr\u00eas cordas de sabor ou tr\u00eas cordas (instrumento musical).
\n<\/span><\/span><\/p>\n

\u4e09<\/span> = 3
\n<\/span><\/span><\/p>\n

\u5473<\/span> = sabor
\n<\/span><\/span><\/p>\n

\u7dda<\/span> = cordas.
\n<\/span><\/span><\/p>\n

Al\u00e9m disso, h\u00e1 l\u00e9xicos particulares que variam de acordo com o status relativo entre interlocutores, no caso do guarani, vocabul\u00e1rio (parentesco) diferenciando para homens e mulheres.
\n<\/span><\/p>\n

\n

Outra semelhan\u00e7a \u00e9 o uso de part\u00edculas para fazer a interroga\u00e7\u00e3o: Guarani: pa<\/em> e japon\u00eas: ka<\/strong>.
\n<\/span><\/p>\n

\n

Mba’\u00e9icha pa<\/strong> (Como est\u00e1?)
\n<\/span><\/p>\n

\u3042\u306a\u305f\u306f\u30d6\u30e9\u30b8\u30eb\u4eba\u3067\u3059\u304b\u3002<\/span>
\n<\/span><\/span><\/p>\n

Anata wa burajirujin desu ka (<\/strong>Voc\u00ea \u00e9 brasileiro?)
\n<\/span><\/p>\n

Nota-se tamb\u00e9m a “aus\u00eancia” do verbo ser.
\n<\/span><\/p>\n

Che brasilgua (Eu sou brasileiro)
\n<\/span><\/p>\n

\u306f\u3044\u3001\u30d6\u30e9\u30b8\u30eb\u4eba\u3067\u3059<\/span>(Hai, burajirujin desu. Sim, eu sou brasileiro)
\n<\/span><\/span><\/p>\n

Mais semelhan\u00e7as:
\n<\/span><\/p>\n

Consoantes sempre intercaladas com vogais. No guarani exce\u00e7\u00e3o apenas nos d\u00edgrafos r, nd, ng, r<\/em> que s\u00e3o considerados letras.
\n<\/span><\/p>\n

Aus\u00eancia do artigo.
\n<\/span><\/p>\n

Aus\u00eancia de plural ou constru\u00e7\u00e3o apenas com o voc\u00e1bulo ku\u00e9ra<\/em>\/tatchi<\/em>, se necess\u00e1rio
\n<\/span><\/p>\n

N\u00e3o flex\u00e3o das pessoas verbais.
\n<\/span><\/p>\n

No guarani antep\u00f5e-se a parte regida \u00e0 regente: p\u00f3\/pe, m\u00e3o\/com: com a m\u00e3o; o espec\u00edfico ao gen\u00e9rico: yvyra\/rapo, \u00e1rvore raiz: raiz da \u00e1rvore; determinado ao determinante: hi\/ri, ele\/em cima: em cima dele.
\n<\/span><\/p>\n

Uso de onomatop\u00e9ias.
\n<\/span><\/p>\n

\n

Chama a aten\u00e7\u00e3o um fato inusitado, em se tratando de uma obra de refer\u00eancia, incluir haicais para exemplifica\u00e7\u00e3o de muitos verbetes. Cecy, que tamb\u00e9m \u00e9 poeta, utilizou em torno de 30 haicais de 18 autores. A autora explica o porqu\u00ea dos haicais:
\n<\/span><\/p>\n

“N\u00e3o sou haica\u00edsta, mas louca de marr\u00e9 pelo haicai, olhos e ouvidos, por excel\u00eancia de iluminuras. Sendo poeta estou sempre espiando dentro da calcinha da palavra usando os olhos de ver poesia, e as id\u00e9ias s\u00e3o como milho pipoca… Puff, explodem e me deixam mais alegre que minha alegria. \u2013 Haicai no dicion\u00e1rio, com orgulho e sem pudor, foi uma feliz colagem das mimby (flauta) com o shamisen. Um belo arranjo para flauta, desvarios e assobios”.
\n<\/span><\/p>\n

Segue abaixo, um haicai de cada autor vertido ao guarani:
\n<\/span><\/p>\n

– Afr\u00e2nio Peixoto, p. 78:
\n<\/span><\/p>\n

Observei um l\u00edrio.\/ De fato, nem Salom\u00e3o,\/ \u00e9 t\u00e3o bem vestido.
\n<\/span><\/p>\n

Ohecha pete\u0129 l\u00edrio.\/ A\u00f1etegua, Salom\u00f5 jepe,\/ namondepyre por\u00e3ive.
\n<\/em><\/span><\/p>\n

– Alice Ruiz, p. 97:
\n<\/span><\/p>\n

entre uma estrela\/ e um vagalume\/ o sol se p\u00f5e
\n<\/span><\/p>\n

mbyja petei mbyte\/ h\u00e1 ysondy\/ kuarahy oike
\n<\/em><\/span><\/p>\n

– Anibal Be\u00e7a, p. 157:
\n<\/span><\/p>\n

Sol no girassol.\/ Sombra desenha outra flor\/ no corpo dourado.
\n<\/span><\/p>\n

Kuarahyjereh\u00e1pe.\/ Kuarahy\u00b4\u00e3 ohai yvoty ambue\/ hete aj\u00fape.
\n<\/em><\/span><\/p>\n

– A. A. de Assis, p. 513, 703:
\n<\/span><\/p>\n

Os passantes param.\/ Carregadinhos de flores\/ os jacarand\u00e1s.
\n<\/span><\/p>\n

Guataha opyta hiku\u00e1i.\/ Yvoty myenyh\u00ebmi\/ jakarandaku\u00e9ra.
\n<\/em><\/span><\/p>\n

– Basho, p. 246, 654, 804:
\n<\/span><\/p>\n

Primeira chuva de inverno\/ O macaco talvez queira\/ uma capa de palha.
\n<\/span><\/p>\n

Araro\u00b4y pete\u0129ha, \/ ka\u00b4i oipota pete\u0129\/ kapi\u00b4ip\u00f5cho mich\u0129.
\n<\/em><\/span><\/p>\n

– Buson, p. 801, 801b:
\n<\/span><\/p>\n

O rio de ver\u00e3o\/ que alegria atravess\u00e1-lo\/ de sand\u00e1lias na m\u00e3o.
\n<\/span><\/p>\n

Ar\u00e1haku ysyry\/ tahory ohasa ichupe\/ ip\u00f3pe aope.
\n<\/em><\/span><\/p>\n

– \u00c9rico Ver\u00edssimo, p. 749
\n<\/span><\/p>\n

Gota de orvalho\/ na corola de um l\u00edrio.\/ J\u00f3ia do tempo.
\n<\/span><\/p>\n

Ysapy hyky\/ l\u00edrio ak\u00e3mbyt\u00e9pe.\/ Hi\u00b4\u00e1ra jeguaka.
\n<\/em><\/span><\/p>\n

– Helena Kolody, p. 73, 92:
\n<\/span><\/p>\n

Arco-\u00edris no c\u00e9u.\/ Est\u00e1 sorrindo o menino\/ que h\u00e1 pouco chorou.
\n<\/span><\/p>\n

J\u00fdi yv\u00e1gape.\/ Ipukavy mit\u00e3\u00b4imi\/ has\u1ebd naym\u00e1i.
\n<\/em><\/span><\/p>\n

– Issa, p. 245, 729, 735, 806:
\n<\/span><\/p>\n

Chuva de primavera.\/ Uma crian\u00e7a\/ ensina o gato a dan\u00e7ar.
\n<\/span><\/p>\n

Arayvoty ama.\/ Pete\u0129 mit\u00e3\u00b4i ombo’e\/ mbarakaja ojeroky.
\n<\/em><\/span><\/p>\n

– Jacques Levin, p. 769:
\n<\/span><\/p>\n

Aragem que passa.\/ As maritacas quietas\/ esperam o sol.
\n<\/span><\/p>\n

Yvytu vev\u00fai ohas\u00e1va.\/ gua\u00b4a\u00b4ikirir\u0129va\/ oha\u00b4ar\u00f5 kuarah\u00fdpe.
\n<\/em><\/span><\/p>\n

– Jane Reichhold, p. 51:
\n<\/span><\/p>\n

no espelho\/ suas rugas n\u00e3o mudam\/ a superf\u00edcie lisa.
\n<\/span><\/p>\n

itangech\u00e1pe\/ icha\u00b4\u0129 nomoambu\u00e9i\/ ape s\u1ef9i
\n<\/em><\/span><\/p>\n

– Jos\u00e9 Marins, p. 352, 482, 635, 643:
\n<\/span><\/p>\n

v\u00ea-se cor-de-rosa\/ sobre o preto do asfalto\/ flores de paineira
\n<\/span><\/p>\n

ohecha pyt\u00e3ngy\/ h\u0169 itah\u0169 Ari\/ samuh\u0169 poty
\n<\/em><\/span><\/p>\n

– Masuda Goga, p. 245:
\n<\/span><\/p>\n

Lib\u00e9lula voando\/ para um instante e lan\u00e7a\/ sua sombra no ch\u00e3o.
\n<\/span><\/p>\n

\u00d1ahat\u0129 ovev\u00e9vo\/ opyta sapy\u00b4a h\u00e1 oity\/ ha\u00b4anga yv\u00fdpe<\/em>.
\n<\/span><\/p>\n

– Millor Fernandes, p. 27:
\n<\/span><\/p>\n

Olha\/ entre um pingo e outro\/ a chuva n\u00e3o molha.
\n<\/span><\/p>\n

Ema\u00b4\u1ebd\/ pete\u0129 rykyryky mbyt\u00e9re\/ ama ndak\u00fdi
\n<\/em><\/span><\/p>\n

– Paulo Franchetti, p. 246:
\n<\/span><\/p>\n

Ao sol da manh\u00e3,\/ im\u00f3vel como se dormisse,\/ a coruja no fio.
\n<\/span><\/p>\n

Ko\u00b4\u1ebd kuarah\u00fdpe,\/ omyi\u00b4\u1ef9va koicha oker\u00f5,\/ \u00f1akurutu inimb\u00f3pe<\/em>.
\n<\/span><\/p>\n

– Paulo Leminski, p. 586, 667:
\n<\/span><\/p>\n

acabou a farra\/ formigas mascam\/ restos da cigarra
\n<\/span><\/p>\n

op\u00e1ma vy\u00b4a guasu\/ tah\u00fdi oisu’u\/ hembyre \u00f1akyr\u00e3
\n<\/em><\/span><\/p>\n

– Rog\u00e9rio Viana, p. 191:
\n<\/span><\/p>\n

Noite escura\/ vagalumes no caminho\/ da menina.
\n<\/span><\/p>\n

Pyhare h\u0169\/ ysoyndy hap\u00e9pe\/ ku\u00f1ata\u0129me.
\n<\/em><\/span><\/p>\n

– Rosa Clement, p. 245:
\n<\/span><\/p>\n

sobre a relva,\/ asas de lib\u00e9lulas\/ molhadas de orvalho
\n<\/span><\/p>\n

n\u0169re,\/ pepo \u00f1ahat\u0129\/ hayvy aky
\n<\/em><\/span><\/p>\n

\n

A autora
\n<\/span><\/p>\n

Cecy Fernandes de Assis, \u00e9 poeta, escritora, pesquisadora e professora. A.A. de Assis, o grande poeta-trovador, a chama de “minha sobrinha”. Ela, por sua vez, diz “… Assis \u00e9 meu tio emprestado. Ele \u00e9 tio de meu marido. Quando casei, as mulheres trocavam os sobrenomes”. Autora de v\u00e1rias obras liter\u00e1rias e did\u00e1ticas nas \u00e1reas de poesia, conto, cr\u00f4nica e infantil. Recebeu in\u00fameros pr\u00eamios, entre eles o internacional Casa de Las Am\u00e9ricas, em Cuba, 1999, ao lado de nomes como Vargas Llosa, Lezama Lima, Garc\u00eda Marquez, Chico Buarque e Ana Maria Machado. Sobre este pr\u00eamio, ela diz: “durante 14 anos, todos os anos, eu concorri ao Pr\u00eamio da Casa, porque para dedica\u00e7\u00e3o \u00e0 literatura h\u00e1 mais tempo”.
\n<\/span><\/p>\n

Servi\u00e7o:
\n<\/span><\/p>\n

T\u00edtulo: Dicion\u00e1rio Guarani-Portugu\u00eas, 2\u00aa edi\u00e7\u00e3o
\nAutora: Cecy Fernandes de Assis
\nEditora Luiz Assis
\n<\/span>ISBN 9788590863106
\nTamanho: 16,5 x 23,5 x 4,5 cm, 954 p\u00e1ginas
\nCapa dura; miolo em papel P\u00f3len.
\n\u00c0 venda com a autora, ou nas livrarias Cultura, Saraiva e Loyola
\nContato: <\/a><\/span>cecyfernandes@yahoo.com
\n<\/span><\/span><\/p>\n

Autoriza-se a reprodu\u00e7\u00e3o do todo ou partes desta mat\u00e9ria, desde que feita a refer\u00eancia. Como citar este texto: MARINS, Jos\u00e9. Haicais em dicion\u00e1rio guarani-portugu\u00eas. [online] Dispon\u00edvel na internet via WWW. URL: https:\/\/kakinet.com\/test\/?p=285. Acesso em dia\/m\u00eas\/ano.<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

por Jos\u00e9 Marins A escritora Cecy Fernandes de Assis, acaba de lan\u00e7ar a 2\u00aa. edi\u00e7\u00e3o do seu Dicion\u00e1rio Guarani-Portugu\u00eas\/Portugu\u00eas-Guarani. Com 954 p\u00e1ginas e pesando 1300 gramas, o dicion\u00e1rio traz 18 mil verbetes. Al\u00e9m disso, cerca de 30 haicais comparecem nas exemplifica\u00e7\u00f5es, traduzindo o gosto da autora por essa forma po\u00e9tica.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-285","post","type-post","status-publish","format-standard","hentry","category-noticias"],"yoast_head":"\nHaicais em dicion\u00e1rio guarani-portugu\u00eas - CAQUI \u2022 Revista Brasileira de Haicai<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kakinet.com\/cms\/haicais-em-dicionario-guarani-portugues\/\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Haicais em dicion\u00e1rio guarani-portugu\u00eas - CAQUI \u2022 Revista Brasileira de Haicai\" \/>\n<meta property=\"og:description\" content=\"por Jos\u00e9 Marins A escritora Cecy Fernandes de Assis, acaba de lan\u00e7ar a 2\u00aa. edi\u00e7\u00e3o do seu Dicion\u00e1rio Guarani-Portugu\u00eas\/Portugu\u00eas-Guarani. Com 954 p\u00e1ginas e pesando 1300 gramas, o dicion\u00e1rio traz 18 mil verbetes. 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